jimmytidey's posterous http://jimmytidey.posterous.com Most recent posts at jimmytidey's posterous posterous.com Mon, 17 Oct 2011 06:11:00 -0700 Hexayurts, Grid Beam and other children of Thomas Jefferson http://jimmytidey.posterous.com/hexayurts-grid-beam-and-other-children-of-tho http://jimmytidey.posterous.com/hexayurts-grid-beam-and-other-children-of-tho

This weekend I went to a course at Engineers Without Borders, an organisation for helping engineering students and recent graduates lend assistance in the third world. We built a Hexayurt (a hexagonal shelter), built some furniture, added some solar panels to the Hexayurt’s roof and got some low power computing going inside. It’s actually thrilling watching a computer powered by nothing but the sun. Thrilling in a quiet way; we didn’t light cigars or open champagne - that would be unsustainable - more like the ‘free energy’ frisson you get from wind surfing or sailing.  

It’s probably overused, and it’s certainly not particularly beautiful, but the following Thomas Jefferson quote expresses the idea at the heart of all technological utopianism, and, I think, the spirit of the weekend:

“He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.”

70 years after Thomas Jefferson died the modern standard barer for this concept was born: Buckminster Fuller. In a world of finite resources (‘Spaceship Earth’ as Bucky put it) he believed  that the only way to satisfy human wants was to be very smart about how we use our resources. Buckminster Fuller himself contributed some gems to our stock of ideas for making efficient use of the little we have.

Perhaps his two most successful additions were the octet truss and the geodesic dome. The octet truss is a design pattern that we see holding up roofs and the like all around us, while the geodesic dome has become a symbol of modernity.  

Vinay Gupta, designer of the Hexayurt, is a child of Buckminster Fuller in two senses. Firstly, he apparently contributed a tiny correction to Bucky’s specification of the geodesic dome after a counter-cultural community invited him to have a look at why their domes always came out a bit wonky. An error in the 4th decimal place of a measurement was the culprit. Geodesic domes are very sensitive to small errors, it’s a testament to their symbolic power that they continue to be built - I’m told they frequently leak if not put together with 4th decimal place accuracy.

Vinay has a more conceptual link with Bucky in the hexayurt project: the desire to share a design idea which makes people’s lives better. Hexayurts are a cunning design pattern which describes a way to take 12 standard 8 x 4 sheets of plywood (or another material) and turn it into a waterproof hut with no waste. It’s a direct response to another draw back with the geodesic dome - manufacturing it from rectangular sheets of timber always wastes at least 20% of the material.

It’s intellectually appealing to come up with a design that requires only 6 cuts to turn 12 standard sheets of timber into a shelter. However, In a third world disaster context, which I think is the primary intend use of the Hexayurt, I’m not sure that this imperative to minimise waste is actually a primary concern. As one of the other participants in the course pointed out to me, in such a  scenario there is never any kind of waste - any material not used in the shelter itself would be put to use elsewhere, or burned as fuel.

Perhaps this is one of the potential pitfalls of conceptually beautiful design; it’s easy to fall in love an elegant solution and lose sight of the messiness of the real world. If Buckminster Fuller’s frequent failures can be summarised, this is problem I would point to. I hope the Hexayurt doesn’t inherit this property from its forebares.

Aside from the Yurt itself we built the furniture using a system called Grid Beam, went to a talk about logistics in remote places and learned about thin client computing with Aptivate.

It’s interesting to on reflect how complimentary each of these things is. For example, it’s easy to dismiss (as Bill Gates has) the desire to get computing into developing countries. However, as Thomas Jefferson points out, any vector for ideas can have profound, cost-free impact on standards of living. A great example of this is the Literacy Bridge project in Ghana, which gives users access to information about effective farming techniques. The Hexayurt, as a design pattern, can be spread at any scale for free to anyone who has Internet access.  Again, Grid Beam is another “open source” design pattern that can be used by anyone who has a means to find out about it. In both cases the designs are such that it they are agnostic about the material used to make them and can be adapted to suit local needs.

It’s an optimistic picture, and perhaps one that should be tempered with a knowlege of how hard development actually is, and particularly with Africa’s obstinate stagnation despite a surfeit of good intentions.  

If the weekend was anything to go by the do it yourself, open source, low energy, sustainable approach has massive appeal in the west - so whatever it's fate in the developing world at least among nerds their will be lots of home made furniture made in solar powered sheds.

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http://files.posterous.com/user_profile_pics/1446864/jimmytidey.jpg http://posterous.com/users/5AAYzYrkKnMR Jimmy Tidey jimmytidey Jimmy Tidey
Wed, 05 Oct 2011 08:20:00 -0700 Future Of Web Apps - Two Themes http://jimmytidey.posterous.com/future-of-web-apps-two-themes http://jimmytidey.posterous.com/future-of-web-apps-two-themes
Future Of Web Apps
Obviously there is going to be a lot written about FOWA, and there is also a collaborative Google doc for notes from the talks. At smaller events I've been to do a comprehensive write up, here I thought it would contribute more if I picked out what I thought were the two key themes. 

App Architecture and reducing barriers to making apps
On the distant horizon, somewhere far off, is the prospect that building a web app might one day be as easy as running a blog is now. At the moment it's still a very technical process, but it's noticeable that the off-the-shelf tools are getting better very quickly. GitHub and Heroku (who were both represented at FOWA) make a professional workflow easy to set up without too much overhead, and I personally absolutely love the Cloud 9 IDE (http://ace.ajax.org) too - though clearly you need some programming skill to make use of them.

On a deeper level, the MVC / ORM / CRUD acronym pile up seemed to be a ubiquitous approach to development in FOWA talks. Google's Alex Russell talked about the future of Javascript and referenced the above ideas heavily, while with Chad Pytel and Alex MacCaws' respective Backbone and Spine libraries had a similar emphasis. Although these talks are about the client side, they are all clearly inspired by Rails (and similar frameworks) on the server side. No matter the environment, everyone is converging on a very similar modus operandi for writing apps. 

I think this emergence of a standard structure is potentially extremely valuable. Firstly, it means there is less stuff to learn, and fewer decisions to take. Secondly, I hope that it might be possible for these (relatively intuitive) ideas to permeate into non-technical circles, just as CMSs like wordpress allow websites to run by non-technical users. 

I had a great chat with @sjhewitt, who tells me that there are some simplifying graphical solutions for app building using Unified Modeling Language and the like - he also suggested they were pretty unsatisfactory. 

What we came to was the idea of using Sifteo style interactive tiles to represent relationships between data and build your app. You could shuffle them about and link them to indicate models and views etc. I haven't thought much about how plausible that would be, but I do think that handing users the ability to make their own apps could be very powerful - perhaps http://ifttt.com/ is the tip of the app building iceberg. I also love the physical metaphor, any non-nerd would find this a much easier approach, I would guess. (Caveat - graphical programming languages like Max MSP seem to be very difficult to learn, at least to me.)  

Another architectural trend that could lend itself to this style of home-spun development is the strict separation between client side and server side. Many of the development strategies that were discussed assumed that the back end worked as an API, delivering JSON data to the client which then builds an interface that a human can understand. 

If the owners of these sites wanted, they could allow other people to use their back end API. In theory it would be quite easy to build your own bespoke business software (or the like) that integrated a bunch of existing apps without really understanding very much about them. Imagine all that ball-ache work that takes up half of everyone's day that could be automated away - I'm thinking of the "get the stats from Google Analytics, put them in excel, format them, attach them to an email, send them to the client and save them to the server"  type repetitiveness that no one needs to be lumbered with. 

If you'll forgive me a hand waving explanation of what I'm thinking about, I'm imagining something similar to the linked data concept only for actions rather than data (as discussed in the bar with @TonyTo85).

I'm not naive about this - I realise there are both problems with the technology and the economics of the this conception of how the web might evolve, none the less it's interesting to think about.  

Boring but (possibly) important: the cloud 
The cloud and the browser as an operating system also came up a lot. Mozilla talked about their toolbar API which will allow apps to take over more of the browser. Microsoft's Azure platform was heavily promoted (did you know you can run anything you like on it? Like PHP, if you want? I didn't.) There were presentations about building games in HTML 5. 

I find it hard to get excited about this stuff. Clearly it's happening, and everyone is moving in the directions of having more in the cloud/browser and less on your local machine. If I'm honest though, I heard very little new on these topics. Moreover, while these are clearly important improvements to the ergonomics of the web, I'm not sure if things like removing the tool bar from the browser window represent a structural shift. 

The most important thing that I'll take away from FOWA is the amazing demystifying power of watching someone demonstrate something on stage. SASS, HTML 5 local storage, HTML 5 history API and the backbone javascript libraries are all things that I know of, but I've not bothered to investigate because I've been intimidated by the learning curve. Just seeing someone on stage give a quick demo made all these technologies approachable. 

Finally, as someone who's very interested in ubiquitous computing, I couldn't help be impressed with the computerised room scheduling and IP addressable lighting system in the venue. I couldn't help but feel we should have linked the colour of the lights to the mood of the Twitter stream or something. 

Compared to other conferences I've been to FOWA is very much focused on practical development issues as opposed to marketing stuff or (too much) on getting funding for your start up. That means I've come away with a load of new tech stuff to look at - so big thanks to the FOWA crew! 

Stop Press -  Scott Chacon GitHub talk 
I wrote most of this before the final talk from Scott Chacon at GitHub. It was phenomenal. Among much else, we learned GitHub have no holidays. They don't have holidays because they don't monitor work hours, if you don't feel like going into work you don't have to. To summerise the essence of the talk, what this means is that everyone who is at work at GitHub is there because they have chosen to be - which obviously means they are very motived and creative while they are there. Egro GitHub has an amazing website. As Scott Chacon pointed out, most people who are good at their jobs wouldn't just down tools if you stopped making them work. There is a natural tendency to want to make great things.  

It's bascially how a work environment ought to be, and I think it's model that could be copied much more widely. As I write this Scott has a gaggle of admireres round him. 

And. And they have a command line app which delivers beers to empoyees with a robot. I'm not making this up. 

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Thu, 22 Sep 2011 04:26:00 -0700 Mind over Matter - NESTA Hot Topics Talk http://jimmytidey.posterous.com/mind-over-matter-nesta-hot-topics-talk http://jimmytidey.posterous.com/mind-over-matter-nesta-hot-topics-talk

This morning I went to a talk about devices which interface directly between the brain and computers. By way of an introductory remark Louise Marston noted that "for thousands of years humans have wanted to be able to communicate directly from one brain to another, which of course we can, by witting." This set the tone for a discussion about the topic of technologically extending the functionality of our bodies.

The panel all agreed that it is a mistake to imagine that using (for example) brain implants to communicate with computers represented a sea change in our sense of self.

Anders Sandberg pointed out that we already use contact lenses and clothes to extend our personal capacities. What makes the ideas such brain implants alarming is that they represent a 'transgression' of our physical bodies. However, as Anders continued to point out, this transgression "makes good posters for films" but isn't actually that practical, mostly because the dangers of infection and medical complication.

Instead he favoured subtle, low level interaction between brain and computer. He gave the beautiful example of his relationship with his laptop - he can subconsciously tell if the hard drive is ok from the noise that it makes.

Other examples include MIT's "Sixth Sense", while Professor Kevin Warwick showed a photo of a device that allowed users to get messages from their computer via tiny electric shocks on their tongue. Probably not to everyone's taste. 

Optogenetics a new approach again. This involves altering your genetic code so that your neurons respond to light and then shining a laser through your cranium to manipulate your brain's behaviour.

While some of the technologies under discussion are not even on the lab bench yet, one technology already in medical use: Deep Brain Stimulation to treat Parkinson's. An implant electrically stimulates the thalamus which reduces the  symptoms of the disease. Some patients go from being unable to dress themselves to being able to drive again. Impressive stuff, but it also reifies a moral thought experiment. Some people who use the device experience personality changes, for example becoming compulsive gamblers. Who would be responsible if the a patient had a personality change and went on to commit a crime? The device manufacturer, the surgeon or the patient? One guy is already suing his doctor because of gambling spree he claims was bought on by medication. 

Perhaps if we had more debates about these kinds of moral dilemmas we'd have a more nuanced understanding of what's at stake. It drove me nuts during the riots that _every_ news presenter had to ask anyone that said anything explanatory about the cause of the riots "Are you making an excuse for them?". Surely we can have a more sophisticated understanding of morals than that discourse seemed to indicate.

The panel itself had some interesting characters. Anders Sandberg comes from the grandly titled Future of Humanity Institute in Oxford, which is also home to a philosopher I particularly like -  Nick Bostrom. He's very entertaining, I seem to remember that he did stand up for a while.  Bostrom also responsible for a confounding logical conclusion through his simulation argument.

Professor Kevin Warwick has had all manner of things implanted in him - a sure sign of commitment to your work. He told us he has a graph of the electrical activity associated with the onset of Parkinson's on his living room wall to keep him focused on his work. Presumably he has a very understanding wife too - some of his experiments have included her, for example wiring their brains together to facilitate direct electrical communication. I once wrote a short story about exactly this. Unfortunately it's not very good; I hope their experience went better than my short story.

Throughout the whole talk there was a tendency to wander between brain-computer interfaces and the subject of artificial intelligence. It seems to me that there isn't really an obvious link between the two, except that they both endanger our sense of self. In many ways this is the most fascinating aspect of the technology. Most people distinguish between using technology to restore function that's been damaged by disease or a car accident and the more treacherous moral territory where technology is used to exceed our 'normal' abilities.

We discussed that the use of a notebook as a memory aid would be could be considered a synthetic extension of our natural abilities, and that no one considers this to have moral implications. However, as I write this I'm quite happy to take advantage of a spell checker and my notebook.

It would feel weird if the computer started improving my prose by suggesting eloquent synonyms, or perhaps advised me that the above "not to everyone's taste" pun is an execrable crime and should be deleted immediately. When computers, through implants, other types of brain-computer interfaces or artificial intelligence start doing things that we consider uniquely human - like creativity and punning - I think it really will cause us to radically reconceptualise ourselves. In this sense, I wonder if examples of using clothes or glasses to enhance ourselves are misleading, because they don't strike at core concepts at what it is to be human. Or perhaps we'll just get over it.

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Sat, 17 Sep 2011 10:32:00 -0700 Bar Camp Talk: The Internet is not a Medium http://jimmytidey.posterous.com/bar-camp-talk-the-internet-is-not-a-medium http://jimmytidey.posterous.com/bar-camp-talk-the-internet-is-not-a-medium
Today I spoke at Bar Camp Media City in Salford, Manchester. Part of the appeal was getting to see the new Media City home of the BBC. You get the tram from the train station - there's something about getting on trams that makes me feel like I've left the real world and slipped into a theatre set where everything is just pretending. I quite like that. It's because of the monorail at Chesington World of Adventures I think. 

I'm glad the security gards that checked my computer cables, validated my photo ID and escorted me to the 5th floor of the BBC Quay House building didn't find anything suspicious. They wouldn't have hesitated to do a cavity search. You'd think the Queen was giving a presentation.  

Who called it Media City? Accountancy consultants? They're probably signing off the plans for Content Hamlet and Return On Investmentshire right now.

Anyway, I was just going to post something quick explaining the talk I gave. Forgive me if this isn't watertight, and apologies that it's been written in haste - hopefully it will clarify what I said for anyone who's interested.

The Internet is not a medium

TV, radio, the novel, the Internet. It sort of makes sense. OK, the Internet is perhaps a broader category than radio, but we often think of the Internet as just another type of media. I'm going to argue that it isn't and that thinking it is has negative consequences.  

Definition of a medium, No 1 

A medium is a method of transmitting messages where all the messages transmitted by that medium have similar features. Some of those features ar  conventions - for example that newspaper article have bylines, lead paragraphs explaining the facts and are written in a particular style. Other features that distinguish a medium are matters of technological expediency - there are no moving pictures in newspaper articles.

Mediums can nest, as illustrated below. 

Recursive_media
My contention is that podcasts, YouTube, eBooks and blogs are so dissimilar that there is literally nothing about them that puts them in one media category. Not even in the same broad nest. This might seem like a semantic point, but I think it leads to a number of problems: 
  • Often people speak of the Internet as though it is one medium, and their claims need to be made more specific. "People who use the Internet for 4 hours a day have lower attention spans" doesn't really mean anything - what are they using the internet for? That's the critical fact, otherwise it's about as broad as saying "people engaged in activities for 4 hours a day have lower attention spans".  

  • Erroneous assumptions that generic properties of the Internet exist. It's also common to hear statements such as "the Internet is democratising". Obviously this is widely debated, and that debate could proceed with more if the language was tightened up. What features of the net are democratising? 

  • 'First-TV-programme syndrome' - When the first TV programmes were broadcast they simply pointed cameras at people doing radio shows. It took time to work out what could be done with the new technology. Clearly we're on that same curve with the Internet. Being careful about what we're referring to can only help. (Hat tip to The Guardian's Martin Bellam) 
Horn
Definition of a medium, No 2 

A medium is a method of transmitting messages between people. This feels like an all encompassing definition of media to me, but this definition is still narrower than the Internet. 

The reason is that the Internet can be used for transmitting data that is not intended for human consumption. It's possible to email someone a CAD file and get a 3D prototype back without a human having ever read the data you supplied. With increasingly ubiquitous computing, and more sophisticated ways of shaping matter using data, this is a growing mode of Internet use. In this sense it's more like an all purpose manufacturing aid. I think of it as similar to the way steam increased productivity in the industrial revolution (I'm not trying to make a comment on how important it is though). 

Information is hard to charge for, but physical things are not. Projects such as Newspaper Club take advantage of this. They allow you to print your own low  volume newspaper. You'd never pay to publish something online, but paying to using a web app that makes something physical is a reasonable proposition.  Thinking like this might help you identify a revenue stream.

I think the fun of BarCamp is that you get to explain a pet idea, and it's also a lovely arena to have a go a pubic speaking - I hope my audience weren't too confused. Thanks to everyone that came along! 

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Fri, 16 Sep 2011 08:40:00 -0700 Book review: Barefoot into Cyberspace by Becky Hogge http://jimmytidey.posterous.com/book-review-barefoot-into-cyberspace-by-becky http://jimmytidey.posterous.com/book-review-barefoot-into-cyberspace-by-becky
In an interview for the BBC’s Virual Revolution documentary - a programme I worked on tangentially -  Charles Leadbeater praises Fred Turner’s book From Counterculture to Cyberculture. The book describes the connection between 60s counterculture and modern silicone valley. It pricked my curiosity so I bought a copy.

I’d like to say it’s a great read, but it didn’t live up to Mr Leadbeater’s promise. It laid the facts out, but they never took on a significance beyond intellectual curiosities. Becky Hogge’s Barefoot into Cyberspace (which also references Turner’s book) transforms the same facts into an epiphany. The book evokes epochal urgency, pessimism and outright fear set against a backdrop of technological utopianism - everything it touches takes on gravitas. 

Although Hogge deals with much else in Barefoot into Cyberspace, preoccupation with the link between the hallucinatory 60s and the then nascent digital economy this aspect of the the book fairly gripped me for the first few chapters.  

What struck me was this: isn’t it weird that two of the most obvious, and well documented, cultural phenomena ever are profoundly linked and nobody talks about it? San Francisco 60s counterculture must be one of the most intensely chronicled moments in history. The catalytic Merry Prankster bus trip, which was at the centre of the wider hippie movement, was paid for by the celebrity author Ken Kesey. The trip itself was documented by Tom Wolfe and Jack Kerouc, with both texts going on to become pillars of American literature. There is an episode of The Simpsons about the bus trip, the ultimate signifier of cultural significance. When people refer to the 60s - surely the most iconic decade since it’s been possible for decades to be iconic - they frequently have this tiny cultural nexus in their minds.

Of course the cyberculture of Silicone Valley itself has also been much celebrated. I was going cite the film about Mark Zukerberg as evidence,  then I realised the film is a footnote compared with the fact that a kid in his University dorm built a website that is nearly as popular as watching TV. And he’s appeared in The Simpsons. 

The link between counterculture and cyberculture is personified by Stewart Brand.  A member of Ken Kesey’s famous bus trip, he organsied the psychedelic TRIPS festival, one of the first Acid Tests. In Hogge’s book’s he quoted as having concluded “[computers are] the kind of revolution that we thought psychedelic drugs [were] going to be”. That’s to say, he made a completely explicit decision to stop taking acid and start experimenting with networked computers instead. 

I’m not going to retell the whole story here - there’s too much of it - but Brand went on to set up a magazine evangelising computer technology called the Whole Earth Catalogue. He gave some of the proceeds to Fred Moore - the man who set up chip manufacturer Intel. Fred Moore in turn set up the Home Brew Computer Club, whose members included Apple founders Steve Jobs and Steve Wozniak. Tellingly, the club also got into a bit of a tiff with a young Bill Gates.  

Brand was friends with Douglas Engelbart who gave this legendary demo at Stanford University, showing technologies such as hypertext, email and the mouse. He was assisted in the video by none other than a Mr Stewart Brand. Incidentally, Stanford University is also where the Larry Page and Sergy Brin wrote the paper that founded Google.  

You get the picture. Many of the major players of the computing industry knew each other long before they were major players in the computing industry, their connection springing from their various counterculture associations. If I didn’t manage to make that sound profound, read the book and it will do. 

There’s a lot to the book which isn’t about coutercultural origins. Hogge also reshapes the topography of the news landscape so that Internet activism becomes the single point that knits together some of the most significant stories of recent times. From the influence of the NO2ID campaign on the formation of the coalition government to the meaning of Wikileaks and the recent revolutions across the Middle East, cyberculture is pervasive. The global influence of Wikileaks is a particular focus and, as the author herself points out, a political story that has not had nearly enough attention. 

The view is “from other side” as it were, with Hogge focusing mainly on her acquaintance or friendship the protagonists in these news events.This method of relaying the narrative means that we get an intimate feel for Internet activism , and an insight into Hogge’s own unpleasant experience of lobbying Westminster. 

Possibly deepest topic that the book broaches is the political influence of architecture, in it’s broadest sense. I’ve thought a lot about what to make of the possibly exclusively titular similarity between the job titles of “Architect” and “Information Architect”. Hogge has an answer, and it’s best summed up by this quote: 

“To a hacker, architecture is politics: how you build something will dictate how it will get used. The rest of the world is just getting used to this concept with regard to buildings. Watching the demolition of sixties tower blocks that had dictated community life in my one-time neighbourhood of East London I knew that this was a political act, a confession, that old ways of thinking about welfare provision and social justice had been forced to change by the failure of sixties idealism.”

To me it’s a very profound way of understanding the virtual world, and it makes the analogy alluded to those job titles entirely apposite. The theme is revisited in several places in the book; it’s a topic I’d love to hear more from Hogge about. 

I have to admit to finding the Tom Wolfe nonfiction-novel style of the prose a little jarring at first - it’s something that I found difficult Wolfe’s writing too - but don’t let it put you off. As soon you’re sucked into the content you’ll realise it’s a mechanism for bringing you closer to the story in hand. 

If you work in tech, this book lends a context to the nuts and bolts of your job. Even if you don’t, I bet you use Google, and this book gives an immediate perspective on what Google means. I found it an utterly compelling. Reading, as I did, the book in every available moment I might have been tempted to reach for the unputdownable cliche. Being virtual, it’s actually unpickupable. Here’s the link: 

or get the unputdownable version here:

http://www.amazon.co.uk/gp/product/1906110506/sr=8-2/qid=1311777818/ref=olp_p...

 

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Sun, 11 Sep 2011 06:42:00 -0700 Bar Camp Brighton http://jimmytidey.posterous.com/bar-camp-brighton http://jimmytidey.posterous.com/bar-camp-brighton

I wasn't expecting BCB6 to be like it was. What I understood was that anyone could talk, what I didn’t realise was that if I didn't talk it would feel like a cop out.


There’s a board in the reception area with a grid of all the rooms and all the time slots. Anyone that wants to can stick up a card with a subject for a room, with each session lasting 30 minutes. It could be anything, one person had a card up saying “Come and hit me. This is not a metaphor, I have boxing gloves” .  Another person did a test of a board game they were designing (“Peacehaven the board game” - Peacehaven is one the least nice parts of Brighton).

The first thing I went to was a workshop on looking after your mac. It’s only now that I write that down that I realise how twatty that could sound. It was very helpful though. I might upgrade to an SSD, in case you were wondering -  it’s the best upgrade you can do. X Code loads in three seconds.

Standout talks came from James Hugman on revolutions and the web and Jim Purbrick on games.  

I think everyone accepts that calling the various bouts of civil unrest that have occurred recently ‘Twitter’ or ‘Facebook’ revolutions was hyperbole. As James Hugman proved, that doesn’t mean there isn’t some interesting stuff to say about tech and politics. He started his talk by explaining an encryption service aimed at activists called Rubber Hose. It’s designed so that it can be decrypted in multiple different ways, preventing an unintended recipient from knowing if they have the original message. It’s called Rubber Hose because if an activist is tortured to reveal their password they can give the one that decrypts the data into an innocuous message. Here’s the thing that really surprised me - Rubber Hose was programmed by Julian Assange. He’s a nerd!

Other gems included an image of a manual called “How to protest intelligently”. On the front page the instructions read (in Arabic and English) “Do not spread through Facebook or Twitter”, because the publishers knew the government was monitoring social networks.

In economically crippled Spain, tenants who get eviction notices have taken to using the web to summon up flash mobs when the bailiffs arrive. Faced with the prospect of having to remove 100 people from a house they police usually advise the bailiffs to give up.

Finally, I was very interested to hear that the Police in the UK are struggling to get the data they want to arrest rioters. Although RIM (makers of Blackberry devices) have handed over the text of all the messages sent, they have not passed on all of the associated meta data, which seems to have a different legal status.

No where in the talk did James Hugman try to convince us that the Internet was about to unlock a Utopian Global Democracy, and the discussion covered topics such the use of tools intended for activists by criminals and the use of the web to track dissidents.  Every time a quesiton was asked and the James Hugman said ‘I don’t know’ my admiration for him increased. He simply presented some interesting facts without trying to try to force a point of view on us.  

If the topic of the web and democracy has been bedevilled by bullshit, then the topic of “gamification” has had it even worse. However, Jim Purbrick, who used to work on Second Life, clearly drew on a deep affection for games and long experience to support his views - quite the opposite of the band-wagon-jumping phonies who litter the Internet with blogs about Gamification.  There’s a substantial literature around games which I’d love to check out, including the economist Edward Castranova and MMO pioneer Richard Bartle, who described online games as giving users a opportunity to learn more about themselves by going on a “hero’s quest”. This lead to my favourite quote of the conference, when Jim Purbrick, who speaks in a manner very similar to Mark Kermode, blithely remarked that “a hero’s quest is obviously the canonical meta-story”.

I was particularly interested in the Bernard Suits definition of a game as “voluntary effort to overcome unnecessary obstacles”. This puts an interesting perspective on the idea that we might use game mechanics in areas such as helping people reduce energy consumption or improving eduction - concepts which are often mooted. It seems to make sense to me that as soon as a game is about overcoming a necessary obstacle then it’s no longer a game.

At no point the the word game have the suffix 'ification' added to it. Enough said.

Then it was my turn to talk. I wasn’t expecting to, so I only had about an hour to put my talk on Philosophy and Technology together. Although my subject was something I’ve been thinking about for ages I found it very hard to communicate. However, it resulted in an interesting debate, loosely in the same vicinity as the point I was try to express.  There are so many well known philosophical debates that it’s quite hard to steer around them, in my case we ended up talking about the ethics of genetic engineering, which wasn’t really what I was trying to get at.   

Trying to articulate your thoughts out loud is a real insight. I discovered that having what you think is an interesting idea in your head and being able to transfer that idea to other people are two very different things.

Of the four geek events I’ve blogged about so far, Bar Camp Brighton has been the most fun. It runs over the whole weekend, I felt that just going on the Saturday was enough for me - although I imagine the Sunday has quite a different atmosphere.

When I first arrived and told someone that I wasn’t intending to speak they told me about their pancake philosophy. When you cook pancakes the first one is always rubbish, but the following ones get better and better - the same is true of speaking in public. So I’m pleased I’ve just tossed my first dud, and looking forward to having another go.

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http://files.posterous.com/user_profile_pics/1446864/jimmytidey.jpg http://posterous.com/users/5AAYzYrkKnMR Jimmy Tidey jimmytidey Jimmy Tidey
Wed, 07 Sep 2011 15:44:00 -0700 Nerdathon, event 3: TechHubTuesdays http://jimmytidey.posterous.com/nerdathon-event-4-techhubtuesdays http://jimmytidey.posterous.com/nerdathon-event-4-techhubtuesdays

TechHubTuesdays is like a real version of Dragon's Den, in that it's not crafted into a TV friendly narrative, and like a fake Dragon's Den, in that no-one is going to get any money.

In case you haven't come across TechHub as a venue, it's a desk sharing / office sharing space just of Old Street roundabout. It looks like it's been squatted, with missing ceiling tiles and makeshift fittings. It's actually quite expensive.

One Tuesday a month they offer a chance for startups (on this occasion one of them only 10 days old) to demo their sites to an audience and then answer questions from the floor. I'm not sure if there were any real investors present but the questions certainly had an edge of Den style alpha-male business-savvy rather than offering mutual support. Mostly, from what I know if these things, the questions were pertinent and the advice pragmatic.

Half of the six demos were about lowering friction in market places: Let Engine making lettings easier (they seemed very relaxed about the HUGE competition they face);  Your Job Done gets tricksy tasks performed by local handypeople, eg Ikea furniture assembly (a less competitive niche); and Rise Art which is a marketplace for upcoming artists (art.sy being the obvious competitor). 

One of the other three was Digital Shadow - a company that does something useful but boring to do with security (ie. most likely to make money) and the remaning two (Ekko and Mapchat) were to do with location based chat - something I just can't get excited about.

Naming no names, I think some of the ideas were quite weak. I was amazed that they had the funding to get something together and also surprised that they'd managed to get as far as they had without becoming alarmed by the goliath competition many of them faced. 

My favourite was Rise Art, a market place for up and coming artists. So far so good. Except Marcos Steverlynck described it as a place for good artists who are not good at using publicity to get attention to make their mark. Using their algorithms, image detection and an in-house panel of experts the site attempts to rank art by a combination of what's best and what's most popular. 

I tried to explain that I thought that the 'best' art literally means nothing, it's only popularity contest. I reckon they way society values art is one of those things which relies on us not having a complete understanding of it. If you wrote the algorithm that perfectly rated the quality of images then you'd either a) ruin art b) make people start evaluating art differently. Anyway, I didn't get very far with this line of questioning before I started to look like a dick, so I gave up. 

Whatever Rise Art does, and despite my philosophical reservations, it has a load of really great prints on it. It's almost like my concerns about possibility of aesthetic objectivity don't matter - http://www.riseart.com

What I particularly loved about Rise Art was that it was motivated by the the desire to run a marketplace that really promoted quality. Having a panel of experts is something that I'm sure a lot of business minds would consider unscaleable, none the less they've gone for it. In addition, a number of revenue models were suggested by the audience which placed less emphasis on finding great art, but Marcos seemed understandably wary of these ideas.

In summary: TechHubTuesday provides as much beer and (good) pizza as you can consume for £6.80, and serves up a genuine slice of startup culture. On the other hand, it does have the drawback of highlighting that Startups are mostly destined to fail, and it's also less ideological than other geek gatherings. Not recommended for a first date.

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Sat, 03 Sep 2011 02:51:00 -0700 Two talks at London Hackspace – Pachube & Nanode http://jimmytidey.posterous.com/two-talks-at-london-hackspace-pachube-nanode http://jimmytidey.posterous.com/two-talks-at-london-hackspace-pachube-nanode

London hackspace is a club for people who want to make things out of electronics,  a perfect city-centre shed. It's a man zone, the kind of place where Fred Dibnah would be comfortable if he were born in 1998. Rather than steam and wrenches and grease, there are soldering stations, 3D printers and circuit boards. During one of the presentations the inventor of a device called Nanode explained how much time he’d given to the project. Someone reverently whispered “he’s got a wife!”. I suspect he may have been in the minority.

Hackspace is important and it knows it, as was attested by an incongruously sharp suited man who ask questions about commercial prospects. It's important because the residents are exploring the border between the physical and the virtual worlds. There's a device that calculates the number of people in the building using two laser beams to detect comings and goings. A label on it says "do not hack", presumably because if it didn't someone would take it pieces and turn it into something else. It's symbolic, even as you walk in your physical presence is turned into data.

There were two presentations, both on the theme of the turning the physical environment into data. Before we went I explained to two friends that came with me that I thought the Patchube website (talk No. 1) was like YouTube, only for physical data: a place where anyone can upload time-sequenced information about the temperature of their greenhouse, the location of their smart phone, whatever takes their fancy. This description turns out to be pretty accurate, but in fact that Patchube is pronounced Patch-bay, so I'd just made the analogy up. When the nuclear disaster happened in Japan, people started using Patchube to stream data from Geiger counters they had bought. Patchube served as an aggregator, and others produced visualisations of the data. The resulting maps of radiation were apparently more accurate than any data the government realised.

Patchube relies on there being lots of sensors in the world. The Nanode (Talk No. 2) is the answer to this problem. It is a circuit board about 5x5 cm with an ethernet connection so you can plug it into a network just like you would a laptop. What's really special about it is that it runs as a web server, so if you know how to make web pages (which must be the most widespread type of programming knowledge) you can understand the data Nanode produces. It can send data straight to Patchube, at which point anyone can start using it. The Nanode retails at £18.

Invention is the mother of necessity, but it’s clear that Patchube and it’s associated network of sensors haven’t quite found their necessity yet. They’re exciting, but it’s hard to put your finger on why.

To give an example of permeability  between real and virtual, Usman Haque, the founder of Patchube told us of a gardener trying to grow a particular breed of Indian chillis, requiring very precise conditions. He has sensors measuring soil PH, humidity etc. What he needs is for someone in India to do the same, and then he will be able to copy the environmental natural conditions precisely, thus successfully growing his chillies. Physical stuff -> Data -> Physical stuff, it’s a fax machine for topsoil.  

We accidentally turned up an hour early for the talks, and decided to get something to eat before we went in. Conversation turned to the hotdog man at Old Street (apparently they’re great hotdogs) who tweets his location. If we’d have known then what we know now, perhaps we’d have talked about him streaming data from his grill into Patchube to give it genuine physical context (queue length, remaining sausages etc.)  

The Nanode is open source hardware,  in the sense that you can order the components and make it yourself using the freely available design. The process is such that it doesn’t involve any complex industrial tools.  Preassembled and kit versions will all be shipped from China. Some might think this morally dubious, but I’m impressed by the fact that Ken Boak, it’s inventor, went to stay in Shenzhen to meet the companies who would manufacture it. He also pointed out that, unlike some other similar devices, the Nanode will be affordable to Chinese workers who are paid in the region of £150 a month.

The missing killer app, the creative approach that will make Patchube’s practical appeal manifest, probably isn’t going to be thought up exclusively by the current Hackspace residents. Making it all function is nerd fun, but put to good use needs wider participation.

I know that that Hackspace does a lot of work to embed itself in the community, but I suspect a lot of people who would be fascinated by its multifarious possibilities don’t know about it. I mean this in kindness, but precisely because it’s where computers interface with the real world Hackspace should also be a place where nerds do the same.

An aside: The Hackspace toilets have a sign saying “Techhub memberships – please take one” above the bog roll. A rivalry? I’m backing Hackspace. (For the uninitiated, Techub is the more commercially oriented hot desking space for tech startups in Old Street.)

 

 

 

 

 

 

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Wed, 31 Aug 2011 13:20:00 -0700 Computer Literate http://jimmytidey.posterous.com/computer-literate http://jimmytidey.posterous.com/computer-literate
When I try to convince my friends of the merits of some new fangled internet thing, whether it's about the relevance of Ushadi to international development or the usefulness of AMEE to engineers, I often feel that in their minds I'm being filed away into a particular box. 

If you like Twitter, if you see potential for citizens to access government services via the web, if you blog, then you're a hopeless, unsophisticated optimist who signs up to every passing fad. 


On the other hand, nerdom does exactly the same thing right back. If you worry about "Internet addiction", the breakdown of interpersonal skills, think that crowd sourcing threatens notions of professionalism or can't see the point of gamification then you're a luddite that "doesn't get it". You're the kind of sentimentalist who would drag everyone back to the good old days of rationing and coal mining and slum tenements and feudalism.

Those are your choices. Guardian or Daily Mail, bullshitter or tedious reactionary, panglossian optimist or po-faced medievalist. Stephen Fry or Brian Sewell. 

Being typecast in this way is annoying; it means that when I try to evince the benefits of some web thing or other anyone skeptical will simply assume that my judgement is hopelessly clouded.

Conversely anyone who raises a legitimate concern will disappear under an avalanche of comments from people who followed a Twitter link posted by Ben Goldacre.

Often this binary assumption about people's psychology distracts from sensible conversation about which of the opportunities the web presents are most valuable to society. It's from this angle that I consider the following question: does getting your intellectual nourishment from a computer screen reduce your capacity to have complex thoughts or reduce your mental acuity?

The most eloquent dismissal of this idea that I've heard is from an LSE podcastJonathan Douglas, director of The National Literacy Trust frames the debate in terms of a dynamic understanding of what it is to be literate. As examples, he points out that Socrates hated the idea of writing, and thought of it as "killing words". For Socrates, the only way to be literate was to participate in discussion, not to read it secondhand. 

In antiquity, it was most common for reading to be out loud, and the ability to clearly orate a text was a critical aspect of literacy. Now moving your lips as you read is a sign of stupidity.

To quote Jonathan Douglass "Technology is driving a massive change in reading, from personal to social and interactive". He notes that the concept of authority and critical skills are now part of the core skills that you need to access ideas, so that to be literate in the most modern sense is to understand the provenance of Wikipedia articles and to treat the information appropriately. 

None of this means that reading on the web is more or less able to convey complex ideas, or to be valued any more or less than books. 

Books, however, have a particular fetishised status which many people can't get over. For a long time they have been the primary means for getting access to ideas, and so they have come to be seen as the only (serious) means for accessing ideas. They no longer have this special status and we need to bear in mind that books are just containers - it's their payload that really matters. The most important thing is for concepts to be imparted, not the means by which it is done. 

Collecting books, which can absolutely see the appeal of, is really a kind of cargo cult. Having the first edition doesn't change the knowledge contained within the book, it represents a kind of faith the physical object rather than the words within. This is the cult of books, and while understandable, it's not a sound basis for ignoring other media. 

I've seen representatives of the Campaign for Real Eduction in TV interviews criticising the idea that a school might buy laptops on the basis that they should really buy books. Susan Greenfield, an Oxford Neuroscientist, has suggested all kinds of problems that might be caused by a failure to spend enough time with books, always gathering attention from the popular press but never supporting her ideas with any evidence. 

I think this notion of changing literacy is very helpful in explaining to skeptics the potential of the web to provide a whole new way to access intellectual thought. It couldn't be more apposite that I discovered it by listening to a podcast from an event that I would otherwise never have found out about. 

It's not a sop to short attention spans, or "dumbing down",  to express information in format other than extended prose. One of my favorite examples is Hyperphysics, which shows the central concepts of physics in relation to each other. It's not a linear text book, but I don't think anyone can accuse it of dumbing physics down. 

Most excitingly, there is an opportunity to throw open the doors to accademia, with lectures and talks available as podcasts, professors keeping blogs and course notes appearing online - this is a genuine opportunity to let learning that was once confined to institutions out of it's cage. It would be foolish to pass this up simply because of a dogmatic allegiance to binding our knowledge into volumes and lodging them at the British Library. 

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Mon, 29 Aug 2011 10:50:00 -0700 Venture Capitalists play Startup Monopoly http://jimmytidey.posterous.com/vcs-play-startup-monopoly http://jimmytidey.posterous.com/vcs-play-startup-monopoly

This Wednesday I went to a London Web event to hear venture capitalist and ex-Goldman Sachs employee John Frankel talk about "Using VC Funds To Change The World". I took it to be implicit in the title that it referred to changing the world for the better. I think what it actually referred to was changing the world by making a lot of money for yourself, and, if you are lucky, John Frankel.

Two topics particularly caught my attention. Firstly the way the dialogue between audience and speaker dwelt on why Europe couldn't produce Startups like "the Valley", echo ing Eric Schmidts' comments later in the week to the Edinburgh TV festival. My natural response is to feel that there are few circumstances where being aiming to be more like the US is a useful policy.  Calling Old Street Silicone Roundabout is symbolic of a naff, and hopeless, attempt to ape America. Anyway, I think that observation sets the context for what I felt was the most salient point of the evening.

A lot of questions were asked about what qualities Mr Frankel looked for in a startup, questions he was clearly used to fielding. Taking the liberty of summarising him, he wanted to invest in a future monopoly like Google or Facebook. Though expressed in many different ways, the idea was that he would put his money in services that could hold society to ransom by using their scale to ensure that they have no competitors.

In too many places to list, I've heard the San Francisco originated cyberculture of the web is one of Doing No Evil and being generally lovely. You might think I'm naive to believe this stuff, but actually I kind of do. Whilst I'm not saying that I think Google and Facebook are run for the good of the world, Google.org exists, Bill Gates is the biggest philanthropist in history and Mark Zuckerberg has signed a pledge to give at least half his wealth away. I'd also point to the fact that Google, Yahoo and Facebook have been prepared to open source all kinds of things, in many instances where they stood little to gain. These firms seem distinct from the gray homogeneity of normal capitalism. Just look at how frivolous their names and logos are: Yahoo! insists on an exclamation mark while Google's logo was designed by a friend of the founders and is, by any normal standard, terrible. Facebook is not a name that a marketing department would come up with.

I strongly got the impression that this is not the MO of the next wave of startups - they are funded by former Goldman Sachs wonks with a view to earning money by exploiting consumers using their monopoly powers. Startups will not be sparked from an exciting PhD paper or from a dorm in a university - they will be the spawn of business plans and spreadsheets and market research.

For reasons I don't fully understand the web seems to make monopolies easier to build, which is incredibly bad news for everyone except their owners. And now I realise there is a whole world of funding for anyone who wants to seize that opportunity. Inevitable perhaps, but normally when I go to a talk about the web it will be about (perhaps overblown) claims that the Internet will make everyone's lives better, especially poor people, especially in developing countries. This talk was exactly the opposite.

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Mon, 27 Sep 2010 23:25:00 -0700 Royal Society Web Science Event http://jimmytidey.posterous.com/2010/09/royal-society-web-science-event-day-one.html http://jimmytidey.posterous.com/2010/09/royal-society-web-science-event-day-one.html Report from the Royal Society Web Science conference

I’ve been to the Royal Society once before for an event about understanding risk, and I was surprised to see some of the same people at the Web Science conference. I'm envious that for some people the Royal Society is a way of life. Especially the man who wears two pairs of glasses at the same time and always asks questions from the perspective of torpedo design – I should say that so far as I understand the questions they always appear to be pertinent, so far as they are comprehensible.

You might reasonably ask what Web Science means, ironcically it's question that Google will not help you answer. I'm not sure there is a short answer, but there were strong and consistent links between the speakers so it definitely designates something. In terms what university department Web Science belongs in, it seems to be something of a coalition of disciplines, mainly social science, network mathematics and computer science.

However you triangulate the location of Web Sciencce, it's in an area that I think is very exciting. I hope to have a tiny claim to have played some part in the area through having worked on the BBC’s Lab UK project, which uses the web as social laboratory.

Despite the spectrum of intellectual backgrounds day one was remarkably focused. Other than to call it Web Science the only way I can think of to elucidate the commonality is to use the example of Jon Kleinberg’s talk, which seemed most neatly to encapsulate it. Here goes…

You may have heard of Stanley Milgram for the famous electric shock experiment, but he also did an investigation which gave prominence to the idea of ‘6 degrees of separation’. His ingenious method was to randomly send letters out which contained the name of a target person and short description that target (eg. Jeff Adams, a Boston based lawyer). In the letter there were also instructions indicating that it should be forwarded to someone who might know the target, or know someone who might know someone who would know the target, etc.

Famously the letter will arrive at it’s target in six steps, on average, hence the frequently cited idea that you are six friendships away from everyone in the world (though his experiment was US based).

There’s a strikingly effective way to understand how it can be that the letter finds its destination. It involves imaging the balance between your local friends and your distant friends.

If you only had local friends then a letter would take a large number of steps to find a target individual in, say, Australia. The reason the average can be as low as six steps is that everyone has friends who live abroad, or in another part of the country, so the letter can cover long distances in big hops.

However, imagine all friendships were long distance. If I live in London and I want to get a letter to the lawyer in Boston then I’m going to have a problem. I could send the letter to a friend who lives in Boston, but then his friends are spread equally around the globe, just like mine are. So although the letter can travel great distances it’s course is so unpredictable that no one can tell which direction to forward the letter to get it nearer to it’s target.

It turns out that there is a specific ratio of long and short links which allows the notional letter to get to its destination in the shortest number of links.

This discovery came some time ago, but nobody could measure it the actual ratio of short and long range friends that real people have. To measure it would require a list of millions of people, their location and the names of their friends. Cue Facebook…

Computer scientists have analysed the data on Facebook and it turns out that the actual ratio of short to long links is very close to the optimal ratio, in terms of getting that letter to it’s destination. That is, the mixture of distant contacts and local ones as indicated by the information on Facebook is exactly the right on to deliver the letter in shortest number of links – six.

That’s pretty incredible, and of course it probably isn’t a coincidence. Social scientists posit that perhaps in some way people will their friendships to exhibit this distribution – after all, as we’ve just demonstrated in one sense it’s the most effective mode of linkage. Whatever the eventual explanation, it's a fascinating incite into human behavior.

Stepping back from the specifics of this argument, here is a perfect example of web science: mathematical theory posing a hypothesis (calculating the optimum ration), computer science providing empirical evidence (working out the real world ratio), and then a social scientific search for explanation. It's the combo of these three areas which seems to constitute the "new frontier" described in the title of the Royal Society event.

There are other configurations of the various disciplines. Jennifer Chayes, of Microsoft Research, pointed out that mathematicians like herself will study any kind of network for it’s intellectual beauty. She suggested that a very important role for social scientists was to pose meaningful real-world questions which mathematicians and computer scientists could then collaborate to answer.

The ‘web science approach’ has produced all kinds of exciting results. For example Albert-László Barabási (whose excellent book Bursts I can highly recommend) has used the data to discover that the web is a 'rich get richer' type of network, meaning that is has a distribution of a few highly connected websites (ie. Google) and many less connected web pages (ie. this one) - which it turns out makes it similar to many other types of network. It's by using this kind of understanding of how the web grows naturally that Google can tell a potential spammy website from a real one.

A number of predictions flow from this work which I won’t go into here, but there are plenty of practical results coming out of his work. To prove this he showed a graph of citations for ‘network science’ papers which has peaked recently at 800 a year, compared with approximately 300 for the famous Lorentz attractor paper which more or less defined chaos theory, and even fewer for various other epochal chaos papers. That isn’t surprising, Barabási use examples from yeast proteins to human genomics in his talk - it's much deeper and more widely applicable than just the web.

If you’re still thinking this research might have limited practical application then Robert May’s talk should convince you otherwise. He demonstrated that understanding of ecological networks has spilled over into modeling the extremely real subject of HIV transmission. One of the most ingenious ideas he bought up was that of giving a vaccine for a infectious disease to a population and asking them to administer it to a friend. That means the person with most friends gets the most vaccine. This is handy, because the person with the most friends is also the person most likely to spread the disease.

There were so many other contributions that an exhaustive list of even the most exciting points would also be exhausting to read, so I’ll stop now. But it was an exciting event, not least for the fact that its a genuine intellectual frontier, but one that seems to be surprisingly easy to understand for people who don't work in full time academia, at least in a broad sense.

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Tue, 24 Aug 2010 13:32:00 -0700 Dr Beard: Or how I learned to stop worrying and love the badinage http://jimmytidey.posterous.com/2010/08/dr-beard-or-how-i-learned-to-stop.html http://jimmytidey.posterous.com/2010/08/dr-beard-or-how-i-learned-to-stop.html Why are people so nervous of the status update? [Published in .net mag]

Mary Beard, Cambridge Professor of Classics, doesn’t like Twitter. You might think that isn’t a surprise – the two things are from different chronological perspectives, but then she does have a successful, if initially reluctant, blog. Only duress from her publicist (or whatever equivalent Cambridge professors have) made her start publishing on the web. Now she describes herself as a convert, and blogging has been transformed in her mind from the basest means of communication to a medium where she can link to research papers and discuss in more depth than she would “even in the Times Literary Supplement”.

I gathered this from her presentation at a conference on improving communication between academia and the public. When she spoke of Twitter she could hardly be more emphatic that she will never use it - hers is a crusade against the tyranny of 140 characters. I imagine she once felt similarly of blogging.

There are few things in the world more over-journalised than Twitter, but no matter what I do I can't pare the following down to less than 700 words - so please accept my apologies and forgive my verbosity, or perhaps blame Professor Beard for provoking me.

If you bother to ask people about their emotional response to status updates you’ll find an undercurrent of antipathy that verges on a rip-tide, and it seems to be Twitter that draws most ire. Even David Cameron has recourse to unparliamentary language when asked his views on the site.

Why is it then that people become upset at the idea of Twitter? One friend who has recently started using the site told me that he felt he’d lost some kind of battle when he gave in to it - why the fight?

The truth is that it’s just small talk. That’s the point of it. If you don’t want to listen to someone’s blatherings then don’t follow them, just as you avoid boring colleagues. If you don’t want to hear any small talk at all then you can always retreat to the desert in the manner of a biblical hermit. Phatic communion is the sacrament that bonds us, and Twitter’s 140 character limit is designed to enforce short messages strengthening social bonds. From all the hostility to Twitter you think that people only spoke in brilliant, lengthy soliloquies, rather than the boring platitudes that are the majority of everyone’s conversation.

Do people worry that they’ll sign up and then discover that they’ve embarrassed themselves by participating in some passing fad?

Or perhaps it’s a misunderstanding about the nature of publishing text. Do we worry that because Twitter is a public medium there is some kind of narcissism and arrogance associated with making your personal trivia available to the world? Some might even see these same qualities in the kind of nerdy early adopters of Twitter and think that being Twitee (I don’t know what the term is, one thing I won’t indulge in with Twitter is it's artificial portmanteau language) says something rather unpleasant about your personality.

Or is it a perceived lack of quality assurance? Do the anti-Twitter demographic think that users lack some kind of quality filter and will sign up to any craze like lambs to the attention span slaughter? If so, I think people should be reassured that cynicism is alive and well you the web – and it fits perfectly well into your allotted 140 characters should you need to express it.

These are the kinds of things people say when they explain their antipathy. But I think they are excuses, the real culprit is unease at conducting an important part of your social life online. Facebook is one thing – we’ve always mediated event invites textually, but to carry out the most mundane social chit-chat on the web is a psychological leap.

Moreover, if you aren’t able to speak to a real world friend on Twitter then it can’t serve you as a small-talk-shop, because the point is primarily to reinforce social bonds, not create them. If you don’t know anyone on the site then it’s the written equivalent of hearing one end of a phone conversation on the bus – which perhaps accounts for the anger that some people express at the medium.

It might not be under Twitter's auspices, but I think the status update is here to stay. Today's unbelievers are just waiting for the social connections to welcome them to the short-messaging congregation.

@marybeard Sorry about calling you a doctor in the title – I know you’re a professor really.

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Sun, 04 Jul 2010 13:11:00 -0700 Lost in the noise: what we really think about musical genres http://jimmytidey.posterous.com/2010/07/dance-music.html http://jimmytidey.posterous.com/2010/07/dance-music.html
What do we really think about music? I've tried to find some data about how people think about musical genres using the Last FM API.

Ishkur's strangely compelling guide to electronic music is a map of the relationships between various kinds of music, and a perfect example of the incredibly complex genre structures that music builds up around itself. He lists eighteen different sub-genres of Detroit techno including gloomcore, which I suspect isn't for me. I wanted to try and create a similar musical map using data from Last FM.

I've written a bit before about the way in which the web might change the development of genres - what I didn't ask was how important the concept of genre would continue to be. It's difficult to listen to music in a shop, so having a really good system of classification means you have to listen to fewer tracks before you find something you like. Also, in a shop you have to put the CD in a section, so it can only have one genre attributed to it.

But on the web it's easy to listen lots of 30 second samples of music, so arguably you don't need to be so assiduous about categorisation. In addition, the fact that music doesn't have to be physically located in any particular section of a shop also undermines the old system - one track can have two genres (or tags, in internet parlance).

Despite this online music shops like Beatport still separate music into finely differentiated categories, much as you would find in a bricks and mortar record shop. But do they reflect the way people actually think about their musical tastes?

Interestingly, two of the most commonly used tags on Last FM are "seen live" and "female vocalist" (yes, women have been defined as "the other" again), which aren't traditional genres at all. "Seen live" is obviously personal, and "female singer" isn't a part of the normal lexicon. Looking through people's tags other anomalies crop up - "music that makes me cry" and tags based on where a person intends to listen to the music are examples.

The more obscure genres from Iskur's guide are lost in the noise of random tags that people have made for themselves. I would suggest Gloomcore isn't used in a functional way that 'metal' or 'pop' are. It's a classification that people do not naturally use to denote a particular kind of music on Last FM - perhaps it's a useful term for writing about music, but nobody thinks they'd like to stick on some Gloomcore while they make breakfast.

I searched the Last FM database of top tags - the 5 tags most used by a user, and assumed that there was a link between any two genres that one person liked. For example, if you have 'gothic' and 'industrial' as top tags then I marked those two tags as linked. In the diagrams below I show the links that occurred between 1000 random Last FM users. If a link between two tags occurred more than about 15 times then it shows up on the diagram below.

Media_httpjimmytideyc_qiwjy

Unsurprisingly, indie and rock are things that people often note they have seen live. By contrast, though people might talk of having heard electronic music 'out' (ie. not at home), they don't care enough about it to use define a tag around it.

I was surprised to see tags such as 'British' and 'German', so I broke the above diagram down by country. Last FM has significant UK, German and Japanese user bases. Here is the result for Germany:
Media_httpjimmytideyc_cfhzk

I think it's very telling that while most of the connections are as you might expect, 'black metal' and 'death metal' are not connected to the main graph. I'm not particularly aware of these genres, but it certainly seems plausible they are very insular.


Here is the Japanese version:

Media_httpjimmytideyc_ledsg

Yep, plenty of references to Japan. The only nation to feature Jazz too. Here is the British version:

Media_httpjimmytideyc_gbcaw

In Japan and Germany a defining feature of music is that it is Japanese or German. In Britain we don't care. I suspect that's because our musical tastes aren't defined against a background of lyrics in a foreign language, as perhaps they are in the other two countries.

Last FM may well have particular 'subculture' of user in each country, so its hard to draw any firm conclusions because of this potential skew. As with so many of the insights you can gain from data gleaned from the web, at the moment it's only possible to tell that one day this kind of tool could be very reveling about our psychology - what it will reveal isn't very clear yet.

None the less, it will be interesting to see how these diagrams evolve over time - perhaps they will gradually diverge from the old names we've used to identify music, or perhaps there will be less and less consensus about what genres are called.

Incidentally, this would have been a post about data from Linked In, looking at the way your professional affects the kind of friendship group you have, but the Linked In API is so restricted that I gave up.

The data is available blow. It's in the .dot format that creates these not very sexy spider diagrams.

http://jimmytidey.co.uk/data/lastfm_genre_links/global.php
http://jimmytidey.co.uk/data/lastfm_genre_links/germany.php
http://jimmytidey.co.uk/data/lastfm_genre_links/japan.php
http://jimmytidey.co.uk/data/lastfm_genre_links/uk.php

I can provide a better version of this data if anyone wants it - send me a message.

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Wed, 16 Jun 2010 15:45:00 -0700 Local by Social - Where sexy social media and bashful local government go to flirt http://jimmytidey.posterous.com/2010/06/local-by-social-where-sexy-social-media.html http://jimmytidey.posterous.com/2010/06/local-by-social-where-sexy-social-media.html When you're a nerd like me you it's easy to think that a website is the solution to everything, so I try to remind myself that it probably isn't.

When I went to Local by Social yesterday I was determined to maintain a detached skepticism - either I was seduced by the confrency world of balancing cups and saucers of pump-action coffee while trying to avoid conversational lapses with people I've never met before (unlikely), or I need to be bit more optimistic. Only briefly did the event feel like pie-in-the-sky geekery.

Local by Social was a discussion of the ways in which local governments can utilise social media, taking an extraordinarily broad definition of that term. Topics ranged from the stratospheric stature of reports complied for the Havard Kennedy School of Government to the more prosaic (and eternal) question of how to get doubting officials to engage with social media.

From the more philosophical end of the spectrum I was surprised discover an aspect of the web which I've not really come across before. My assumption was that debate would all be around some variety of communication between government and people, probably something to do with eschewing the broadcast model and adopting a many-to-many, responsive approach to social media - a message we've all heard before.

But Local by Social was way ahead of me with the concept of "social innovation", or "Public Service 2.0" (I've never heard the "2.0" suffix used so much). The concept is to close the loop of Official-Public-Official conversation by having, to varying degrees, the public actually solve problems themselves.

Examples included Washington's "Snowageedeon", where citizens used Google maps to allocate the work of clearing snow between themselves when the authorities were overwhelmed and Brighton Council using Twitter to find volunteer van drivers for meals on wheels during another bout inclemency. Or Fix My Tweet, which allows you to tell the council where pot holes are. The difference here is that work that would once have been carried out by an authority is being done for free through social media magic.

Instead of hulking, snail-paced governmental organisations facilitating this processes we were asked to imagine social entrepreneurs setting up not-for-profits to delivering these types of service. The question of what would happen when someone tried to monetise their successful website was left hanging in the air. Being new to the world of e-Government I was surprised these stories don’t seem to be more prevalent in the general web-trend reporting press, but perhaps that’s because the sites I follow tend to come from the marketing angle.

Another theme was adversity as a catalyst. The above examples were not the only times that snow precipitated social innovation. But, as Dominic Campbell (founder f FutureGov) explained in literally Churchillean terms ("We will innovate on the beaches..."), the most important opportunity in adversity was the coming cuts in public spending. Referencing Schumpeter's creative destruction he pointed out that more than ever authorities are receptive to novel cost-saving ideas. Big stupid bureaucracies listening to exciting web start ups to good to be true? Well, if you listen to David Cameron's TED Talk and his Big Society rhetoric (which I willing to concede might be just slightly more than electioneering) then perhaps there is room for a chink of optimism.

Am I maintaining detached skepticism? I'm trying... honest. Here's a dose: Twitter doesn't seem to me like it's important for local councils. In a break-out session at the end of the day a lot of local government people were bemoaning the fact that councillors wouldn't Tweet, but I don't think they really need to.

It might be useful as a means of disseminating press releases to journalists, but that doesn't mean that you can garner the ear of the populous using Twitter. Only 30,000 Twitter users tweeted about the election on election night. That's one in 2,000 people, and a close run general election is a lot more interesting than local government.

Much more exciting to me is the possibility of local government making itself known on existing localised communities. Filippo Ciampini, who is writing a masters on the subject of government public relations, told me that there are lot's of ethnically based online communities and forums - citing Islington's Chinese forum as a vibrant example - which seems to me the perfect place to use the web to communicate with hard-to-reach people. Filippo added that although they are mainly used by second and third generation immigrants, these are the people who probably have most contact with first generation immigrants - a group that the council traditionally has great difficulty reaching.

None of the local government mandarins in our group said their council was using existing message boards as a means of outreach, one indicated that there was a perception that to engage on these forums might somehow undermine the legitimacy of local government's voice.

But it's such a missed opportunity. Hugh Flouch of Harringay Online told us that his hyper-local community has 3000 members (though we might question how many are active), while the area it covers has a population on 17,000. As he pointed out, that's more penetration that BBC Two.

Little tidbit from our break out group: apparently Coca Cola's social media principles are a great place to start if you need to write guidelines for an organisation that is precious about it's brand, on which front I'm sure Coca Cola is unimpeachable.

We also discussed the fear many higher up the organisational chain have of saying the wrong thing online. I don't think there is anywhere to hide from the internet's wrath. Recently a representative of Hackney council gave duff information on the phone (decidedly an old medium), only to find a recording posted on Private Eye's website (incidentally, also a Luddite publication which dislikes the internet). So it's time for local councils to take a dip their toes into the wide social media sea, it might not look enticing, but sooner or later someone is going to throw you in anyway.

Have I trodden the line of disinterested rationality? I hope so, but to end on a positive note, the more you engage with people on the web the more they love you. Paul Hodgkin of Patient Opinion told us that his service which allows patients to... give their opinion receives only around 20% purely negative feedback. Amazingly, after they have been moderated, about 10% of feedback leads to some kind of change is hospital practice, and the 20% of feedback which was completely positive was a huge boost to staff morale.

Research from Hugo Flouch (he of Harringay Online) suggests that the more officials engage with online communities the better users perceptions of them are. That was true for MPs, council workers, councillors themselves and police.

So, to sum up in a completely equivocal manner: budget cuts lead to a world where municipal work is carried out for free by the people who do it out the goodness of their own hearts and then thank each other through feedback services provided by not-for-profit social entrepreneurs. And no one who isn’t completely comfortable with Twitter will be forced to use it as part of a box-ticking drive to engage with Interweb 2.0.

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Thu, 13 May 2010 22:13:00 -0700 We know that David Cameron doesn't like Twitter - what does it think of him? http://jimmytidey.posterous.com/2010/05/does-election.html http://jimmytidey.posterous.com/2010/05/does-election.html Over the course of the General Election I recorded 1000 random tweets every hour and sent them to tweetsentiments.com for sentiment analysis.

Tweetsentiment have a service which gives one of three values to each tweet. '0' means a negative sentiment (unhappy tweet), '2' a neutral or undetermined sentiment and '4' positive (happy tweet). Similar technology is used to detect levels of customer satisfaction at call centres by monitoring phone calls.

Obviously it's difficult for a machine to detect the emotional meaning of a sentence, especially with the strange conventions used on Twitter. Despite this Tweetsentiment seems to be fairly reliable - tweets always which express happy emotions tend to be rated as such, and vice verse. More accurately, if Tweetsentiment does make a classification it tends to get it right. Sometimes an obviously positive / negative tweet gets a '2', but that shouldn't affect things here.

My hypothesis was that the Twitterati would be less happy if there was a Conservative victory. Of course I can’t prove that Twitter has a bias to the left, but I would presume that young, techy, early adopters are more likely to be left leaning. The reaction to the Jan Moir Stephen Gately article perhaps supports this.

David Cameron famously noted that Twitter is for twats, I wondered if Twitter would reciprocate...

Media_http1bpblogspot_uonky

The graph indicates that usually Twitter is just slightly positive, with a mood value of 2.1 on average. As predicted, as a conservative victory becomes apparent on Thursday evening there is a decline in mood which lasts until Saturday lunchtime. Then everyone cheers up, presumably goes down the pub, and is pretty chirpy for Sunday lunch. Sentiment only returns to average for the beginning of work on Monday morning.

In short, it does look like the election result was a disappointment to Twitter.

Obviously we need to know what normal Twitter behaviour is over the course of the week to draw very much information from the graph, and this is something that I’m going to try and produce a graph for soon.

It does look as though the size of negative reaction to a once-a-decade change in government is about the same magnitude as the positive mood elicited by the prospect of Sunday lunch - which I think is fairly consistent with the vicissitudes of Twitter as I experienced them.

I used Twitter’s API to gather the data, and frankly, it’s not particularly great, particularly if you want to get Tweets from the past. I was surprised to discover that any Tweets more than about 24 hours old simply disappear from the search function on Twitter.com – in effect they only exist in public for a day. For this reason the hourly sample size wasn’t always exactly 1000, but it was on average.

I’ll post again when I have some more data on normal behaviour. I’m also curious to find out if different countries have different average happiness levels on Twitter, but I think finding a Tweetsentiment-style service for other languages might prove difficult.

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Tue, 04 May 2010 12:41:00 -0700 Michael Jackson is more important than Jesus. Fact. http://jimmytidey.posterous.com/2010/05/michael-jackson-is-more-famous-than.html http://jimmytidey.posterous.com/2010/05/michael-jackson-is-more-famous-than.html My last post used Wikipedia’s list of dates of births and deaths to build a timeline showing the lifespans of people who have pages on Wikipedia. There are a lot of people with Wikipedia pages, so I limited it to only include dead people.

That still leaves you with a lot of people to fit on one timeline, so I wanted to prioritise ‘important’ or ‘interesting’ people at the top and show only the most 'important' 1000. Some have been confused by my method for doing this, and others have questioned its validity, so this post will address both issues. I’m also going to suggest an improvement. It turns out that whatever I do Michael Jackson is more important than Jesus. I'm just the messenger.

Explaining the method
To get a measure of ‘importance’ I used work done by Stephan Dolan. He has developed a system for ranking Wikipedia pages which is very similar to the PageRank system which Google uses to prioritise its search results.

Wikipedia’s pages link to one another, and Stephan Dolan’s algorithm gives a measure of well linked to all the other Wikipedia pages a particular page is. If we want to know how well linked in the page about Charles Darwin is the algorithm examines every other page in Wikipedia and works out how many links you would have to follow to get from the page it is examining to the Charles Darwin page using the shortest route.

For example, to get from Aldous Huxley to Charles Darwin takes two links, one from Aldous to Thomas Henry Huxley (Aldous’s father) and then another to Darwin (TH Huxley famously defended evolution as a theory). Dolan’s method calculates the average number of clicks from every page in Wikipedia to the Charles Darwin page, and then takes an average value. To get to Charles Darwin takes an average 3.88 clicks from other Wikipedia pages.

Equivalently, Google shows pages that have many links pointing to them nearer the top in its search results.

This method works OK, but it could be better. For example Mircea Eliade ranks as the fifth most important dead person dead person on Wikipedia, taking on average 3.78 clicks to find him. But Mircea Eliade is a Romanian historian of religion - hardly a household name. We can take this as a positive statement, perhaps Mircea Eliade is a figure of hither to unrecognised importance and influence. On the other hand it seems impossible that he can be more ‘important’ than Darwin.

Testing the validity of the Dolan Index
I decided it would be interesting to compare what I’m going to call the Dolan index (the average number of clicks as described above) with two other metrics that could be construed as measuring the importance of a person. Before we do that, here is a Graph of what the Dolan index of dead people on Wikipedia looks like.


Media_http1bpblogspot_bvkmu

The bottom axis shows the rank order of pages, from Pope John Paul II, who is has the 275th highest Dolan index on Wikipedia, to Zi Pitcher, who comes 430900th in terms of Dolan index. It makes a very tidy log plot.

As I mentioned previously, the Dolan index is very similar to a Google PageRank, so lets compare them.


Media_http2bpblogspot_ydjxi

The x axis is the same as the first graph, Wikipedia pages from highest to lowest Dolan index. A well linked page has a low Dolan index, but a High PageRank, so I used the reciprocal of PageRank for the y axis. I've also added a log best fit line.

Comparing with PageRank seems to indicate there is a reasonable correlation between Dolan index and PageRank, which is indicated by the fact the first and second graphs have a similar shape.

PageRank is only given in integer values between 1-10 (realistically, all Wikipedia pages have a PageRank between 3-7), so I’ve smoothed the curve using a moving average.

This seems to lend some weight to the Dolan Index as a measure.

I’ve also made a comparison between the Dolan index the number of results returned when searching for a person’s name (without quotes) in Google search. It should be noted that this number seems to be quite unstable - a search will give a slightly different number of results from one day to the next. I’ve used a log scale because of the range of results.


Media_http2bpblogspot_djguv


There is barely any correlation here, except a very low values of Dolan index. Despite this, it’s still possible for the number of Google results to be useful, as becomes in apparent when trying to improve my measure of ‘importance’.

A suggestion for improvement
The problem with all the measures seems to be the noise inherent in the system. While Dolan Index, PageRank and number of Google results all provide a rough guide to ‘importance’ or ‘interest’ overall, each of them frequently gives unlikely results. How about using a mixture of all three? Here is a table comparing the top 25 dead people by Dolan index and using a hybrid measure of importance constructed from all three metrics.


Dolan index Hybrid measure
Pope John Paul II Michael Jackson
Michael Jackson Jesus
John F. Kennedy Ronald Reagan
Gerald Ford Jimi Hendrix
Mircea Eliade Abraham Lincoln
Peter Jennings Adolf Hitler
John Lennon Albert Einstein
Adolf Hitler William Shakespeare
Harry S. Truman Charles Darwin
Rold Reagan Oscar Wilde
J. R. R. Tolkien Woodrow Wilson
James Brown Isaac Newton
Anthony Burgess Elvis Presley
Elvis Presley Walt Disney
Christopher Reeve John Lennon
Susan Oliver George Washington
Franklin D. Roosevelt John F. Kennedy
Winston Churchill Timur
Ernest Hemingway Martin Luther
Theodore Roosevelt Voltaire

To get the hybrid measure I just messed around until things felt right. Here is the formula I came up with:

Hybrid measure = ((1/Dolan index)x 20) + (PageRank x0.6) + (log(number of results)x 0.6)

For some reason additive formulas give better results than multiplicative ones.

Using the hybrid measure seems to have removed the surprises (like Peter Jennings) although you might still argue that Oscar Wilde or Jimi Hendrix are much too high. Michael Jackson comes out as bigger than Jesus, but then he is an exceptionally famous person, and he died much more recently than Jesus. Timur (AKA Tamerlane) is a bit of a curiosity.

I considered ignoring Number of Google results because its such a noisy dataset, however it’s the only reason that Jesus appears at all in this list, he gets a very low ranking (4.01) from the Dolan Index. Any formula which brings Jesus out on top (which I think you could make a reasonable case for his deserving, at least over Michael Jackson!), gives all kinds of strage results elsewhere.

I am a bit suspicious of "number of google results" metric. In addition to volatility Number of results fails to take into account that occurrences of words such as "Newtonian" should probably count towards Newton's ranking, but that people called David Mitchell will benefit artificially from the fact that at least two famous people share the name.

Any further investigation would have to consider what made a person ‘important’ – would it simply be how prominent they are in the minds of people (Michael Jackson and Jimi Hendrix) or would it reflect how influential they were (Charles Darwin for example, or the notably absent Karl Marx)?

I love the idea that the web reflects the collective conciousness, a kind of super-brain aggregation of human knowlege.

Just this week the idea of reflecting the whole of reality in one enormous computer system was promoted by Dirk Helbing, although my formula doesn't rate him as very important, so I'm unsure as to how seriously to take this.

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Sun, 11 Apr 2010 18:59:00 -0700 Wikipedia Book of the Dead http://jimmytidey.posterous.com/2010/04/wikipedia-book-of-dead.html http://jimmytidey.posterous.com/2010/04/wikipedia-book-of-dead.html DBpedia mashup: the most important dead people according to Wikipedia

The timeline below shows the names of dead people and their lifespans, as retrieved from Wikipedia. They are arranged so that people nearer the top are the best linked in on Wikipedia, as measured by the average number of clicks it would take to get from any Wikipedia page to the page of the person in question.

I had imagined that Wikipedia 'linkedin-ness' would serve as a proxy for celebrity, which it kind of does - but only in a lose way.

Values range from 3.72 (at the top) to 4.04 (at the bottom). This means that if you were to navigate from a large number of Wikipedia pages, using only internal Wikipedia links, it would take you, on average, 3.72 clicks to get to Pope John Paul II. This data set was made by Stephan Dolan, who explains the concept better than me. Basically, it's the 6 degrees of Kevin Bacon on Wikipedia.

I looped through the data set and queried DBpedia to see if the Wikipedia article was about a person, and if so retrieved their dates of birth and death.

The timeline does show a certain amnesia on the part of Wikipedia, Shakespeare and Newton are absent, while Romainian historian of religion Mircea Eliade comes 5th. If I had included people who are alive tennis players would have dominated the list (I don't know why) - Billie Jean King is the second best-linked article on wikipedia, one ahead of the USA (the UK is number one!).

Any mistakes (I have seen some) are due to the sketchiness of the DBpedia data, though I can't rule out having made some mistakes myself...

There results are limited to the top 1000, and they only go back to 1650. Almost no names previous to 1650 appeared, the exceptions being Jesus (who was still miles down) and Guy Fawkes.

In case you were wondering 'Who's Saul Bellow below?', the answer is Rudolph Hess.

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Sun, 07 Feb 2010 16:10:00 -0800 Smoke Stacks to Apple Macs http://jimmytidey.posterous.com/2010/02/smoke-stacks-to-apple-macs.html http://jimmytidey.posterous.com/2010/02/smoke-stacks-to-apple-macs.html The digital revolution will not be televised - to the contrary, is it possible that no artist or medium can be said to have adequately addressed the information age?

Zizek once sumerised Marx as having said that the invention of steam engine caused more social change than any revolution ever would. Marx himself doesn't seem to have provided a useful soundbite to this effect (at least not one that I can find though Google), so I'm afraid it will have to remain second hand. It's a powerful sentiment, whoever originated it - which philosopher's views cannot be analyzed as the product of the social and technological novelties of his day?

It's easy to see that the technology that is most salient in our age is the internet, which has been made possible by consumer electronics. Have our philosophers stepped forward to engage with the latest technological crop?

Moving on from philosophers, what of our artists? Will Gompertz recently posted to share an apparently widely held view that no piece of art has yet spoken eloquently from or about the internet. He cites Turner prize winning Jeremy Deller describing "a post-warholian" era, presumably indicating that Warhol was last person to adequately reference technological change in the guise of mass production. I wonder if the Saatchi-fueled infloresence has also captured something of marketing-led landscape we currently live in, but whatever the last sufficient reflection on cultural change afforded by art was, I think we may be on safe ground in stating that the first widely accepted visual aperçus of the digital era is still to come.

Which is some surprise when you consider, for example, how engaged the news agenda is with technology: I was amazed to see that Google's Wave technology (still barely incipient) got substantial coverage on BBC news.

With my employment centering on the web, and my pretensions at cultural engagement, this weekend I visited the Kinetica Art Fair. Kinetica is a museum which aims to 'encourage convergence of art and technology'. The fair certainly captured one aspect of contemporary mood - a very reasonably priced bar was a welcome response to our collective financial deficit.

Standout pieces included a cleverly designed mechanical system for tracing the contours of plaster bust onto a piece of paper and a strangely terrifying triangular mirror with mechanically operated metal rods. It looked like a Buck Rogers inspired torture device designed to inflict pain by a method so awful that you'd have to see it in operation before its evil would be comprehensible. The other works included a urinal which provided an opportunity for punters to simulate pan-global urination (sadly not with real urine) by providing a jet of water and a globe in a urinal. I would defy anyone not to be entertained by spending time wondering round the the fair.

However, Will Gompertz's challenge was not answered at Kinetica - the essence of the technological modernity was distilled into any of work - not even slightly.

I've been mulling over various possible reasons for this failure, and quite a few suggestions spring to mind. Do computers naturally alienate artists? Is information technology to visually banal to be characterised succinctly?

I'd like to suggest that its the transitory nature of our electronic lives that makes them so hard to pin down. Mobile phones, web sites, computers and opperating systems from a decade ago all look ludicrously dated - it's almost impossible to capture the platonic form of these items because they have so little essential similarity. Moreover, their form is almost an accident, and not connected with their more profound meaning in any way. The boats of the merchantile age and the smoke stacks of the industrial age all seem to denote something broader - how can communism be separated from its tractors? Yet the form factor of my computer is trivial. Form and functional significance are of necessity separated by digital goods, their flexibility is the source of their power.

In someway I think films give us tacit acknowledgment of the contingent nature of the digital environment that we spend much of our lives in: no protagonist is ever seen using Windows on their computer, in films computer's interfaces are always generic. When we see a Mac in a film it impossible to see it as anything other than product placement.

So, the Kinetica Art Fair may not have been able to help society understand its relationship with technology, but actually, despite their rhetoric, I think it was a little unfair to expect it to. Really the fair was about works facilitated by technology, rather than about it.

But, in case you think I've picked a straw man in Kentica, let me say that the V&As ongoing exhibition Decode really does no better, though its failures and successes are another topic.

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Mon, 01 Feb 2010 18:53:00 -0800 Internet Protocol and HRH the Queen http://jimmytidey.posterous.com/2010/02/internet-protocol-and-her-royal.html http://jimmytidey.posterous.com/2010/02/internet-protocol-and-her-royal.html Whatever we end up using the web for, don't the world's citizens lead more equal lives if they are all mediated by the same technology?

The queen tweets. She's commissioned a special jewel embossed netbook and a bespoke Twitter client with skinned with ermine and sable.

I made that up. For starters, she hasn't actually started tweeting - there is a generic royal feed which announces the various visits and condescensions of Britain's feudal anachronism, but nothing from miss fancy hat herself. Perhaps royal protocol means she can only use it if her followers can find a way of curtsying in 140 characters?

The feed does give an insight into how boring the Royal's lives might actually be - opening wards and meeting factory workers - when they aren't having a bloody good time shooting and riding. However, as a PR initiative it breaks the rule that states for a Twitter account to be of any interest then tweets must emanate from the relevant horse's mouth, if you'll forgive the chimerical metaphor. If you can't have the lady herself, I don't really think there is much point in bothering. But that's not the point I'm here to make.

I'm more interested in the fact that, should any of us choose to, Bill Gates, Sir Ranulph Twisleton-Wykeham-Fiennes, 3rd Baronet OBE, Osama Bin Laden and I will have exactly the same experience when we use Twitter (assuming it's available in the relevant language).

I suppose Bin Laden might have quite a slow connection in Tora Bora, and probably Bill Gates has something faster than Tiscali's 2meg package. Details aside, everyone is doing the same thing.

Actually, not only will we be using the same website, we'll be using very similar devices. Bill probably doesn't have a Mac like me (he may be the richest man in the world, he can still envy me one thing), but all our computers will be very similar.

The reason for this is that for both websites and computer technology have very high development costs, and low marginal costs per user. Even the Queen can't afford to develop an iPhone, but everyone can afford to buy one.

If a lot of your life is mediated by technology then this is going to be very important to you. While there is healthy debate about the web's democratisation of publishing, I think we might reasonably add to the web's egalitarian reputation its ability to give people of disparate incomes identical online experiences.

That doesn't sound like a blow against inequality and tyranny in all its forms - but none the less I think its important . Even people using OLPC computers [low priced laptops aimed at the third world] have basically the same experience of the internet as you or I. That's to say Uruguayan children will quite possibly spend a good part of their day doing exactly the same things as New York's office workers and Korea's pensioners. When you consider that only very recently there were probably no major similarities in these disparate lives I think it does constitute a significant development.

Of course, for all I know a line of luxury websites will come along and exclude some strata of the social pile. In a way it's already happened - we've seen the thousand dollar iPhone app - but its hard to see this one off as part of a pattern. This is not to say that the 'freemium' business model [basic website for free, pay to get the premium version] couldn't exclude certain people, it's more that this model can only exist when there isn't much pressure for a free version. At the moment, there aren't any widely used web applications that aren't available at zero cost - of course this may change if your audience is sufficiently well off to attract paid advertising, but there again it may not.

This is a phenomena that's been observed before: technology tends to eliminate differences between cultures. It's been termed the Apparatgeist, and has been developed as a concept in response to the observation that mobile phone habits, one differentiated locally, are now more or less identical in all developed economies. As a concept it surely applies equally as well to class and income - leaving us us in a more equal experiential world. And perhaps also a monoculture - but then isn't that entailed in the new equalities that so many internet optimists evangelise?

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Tue, 06 Oct 2009 21:59:00 -0700 TEDx Manchester and its Discontents http://jimmytidey.posterous.com/2009/10/tedx-manchester-and-its-discontents.html http://jimmytidey.posterous.com/2009/10/tedx-manchester-and-its-discontents.html Whenever I watch a TED video it's always so optimistic. Perhaps the independent TEDx event I attended in Manchester was under the pall of the city's ceaseless rain, because it focused on some less than rosy home truths.

Content? Are you? Not if your job is to produce content. The anodyne catchall phrase for creativity as mediated by the web belies a bloodbath of job loss in newspapers, music and TV. The Evening Standard has recently accepted that what a consumer will pay for its product is zero, but it was last Friday at TEDx Manchester that a simple message came home to me.

It is conceivable that content is just something you can’t monetise in the era of the internet. Historically publishing has been fraught with similar difficulties, some of the world’s most influential books were utterly unable to remunerate their creators. Dr Johnson required a royal pension to keep him afloat despite having written the first full scale dictionary, likewise Diderot managed to remain poor after producing the West’s most famous encyclopaedia. No wonder publishers struggle when all the profundity they can muster is the Evening Standard. Are we simply returning to the equilibrium where creativity is next to impossible to convert into cash?

At TEDx Guardian Digital Editor Sarah Hartley articulated hyperlocal journalism (basically a local resident keeping a blog) as a possible future of news media, but she also admitted that she had no idea how journalists might earn a crust from this pursuit.

The next speaker to play into this theme was Marc Goodchild, head of Interactive for BBC childrens, who told us (amongst much else of interest) that at the age of 12 most kids started to predominantly spend their time on social networks and games - two areas where in effect you make the content yourself. He also told us that for the first time for children game play and internet use combined account for more hours of viewing than TV.

Hugh Garry, a Radio 1 producer, made the point even more firmly. His talk focused on a project that involved handing out mobile phones at festivals and asking people to record their experiences. The material was gathered into a film called “Shoot The Summer”. This exercise illustrated an interesting technical fact: mobile phones can produce footage that is perfectly watchable at cinema size.

A more subtle point was that most of the recipients of the mobile phones had a great natural sense of what would make interesting footage. If you don’t believe me, check out the film. And if you think that he just has the good bits from millions of hours of people taking drugs in tents, well, you’re right. That’s exactly the point – where is the space for the professional when a million amateur YouTube clips can be relied upon to produce a thousand gems? Of course, the content generation generation will also have a more natural sense of how to use a video camera compared with those for whom such devices are fresher developments.

Against a backdrop of the inevitable Twitterfall, and the equally inevitable Mancunian rainfall, the possibility of the end of professional content production took root in my mind. What medium might remain immune? Film? Surely this is the medium with the highest barrier to entry protecting its profits. Perhaps, but in a projected video of a JJ Abrahams TED talk we were all told we had no excuse not to be making films now the relevant hardware is so cheap.

I don’t really doubt that there are a number of ways for the paid journalist or film directors to survive, and it’s not news that the internet has put the squeeze on certain professions. There is a feeling though that we are just waiting for really cheap credit card transactions, or for Murdoch to spearhead online paid content, or for some other technological development to restore the professionals to their thrown. That might be misplaced optimism. Indeed some top journalists may be reduced to giving talks to a load half-arsed bloggers, perish the thought.

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